Urban Renewal

The fifth and final mural of the St. Louis Block murals is now complete, as of last week. I wasn't sure if I would succeed in a race against the winter weather, but fate was kind and I worked hard.

The final mural is called "Urban Renewal, 1973-1977" and is painted in the same style and mostly monochromatic palette used for the "Memory Wall."

The source photo used as the departure point for the painting was a historic photo of the old T.O.K. Garage at the end of South Main, about where the Lewis and Clark Public Library is now (source here, along with a discussion of the demolition for Urban Renewal).

The background of the stained concrete was integrated into the painting, with some areas left sketchy and some fully rendered and detailed, to reflect the idea of erasure, disappearance, and memory.

Finally, the series of five murals, each mural with its own title, also has a single umbrella title for the murals, "Palimpsest." This unifies all of the murals on the St. Louis Block. And the information about the sponsors was painted on as well, on the lower left side.

What does "Palimpsest" mean? As I wrote on the wall of this last mural:

A surface on which something was written,
then erased,
then reused to write something new,
leaving faint, incomplete traces of the old.

The Helena "Palimpsest" Mural Series, St. Louis Block, Last Chance Gulch:

1. "Dragon Gate"
2. "Memory Wall: The Historic Chinese Community of Helena"
3. "Sometimes I Feel Like Chinese Takeout"
4. "Dorothy's Room"
5. "Urban Renewal, 1973-1977"

Re-painting Dorothy's Room

Well, unfortunately the sign peeled from the wall, even though adhesive was used as well as two coats of polyurethane over that. The employees at the Windbag during one of their breaks watched it slowly peel away. Maybe it was the temperature, or the uneven nature of the concrete, but it was agreed that there was no point in trying to reapply it if it peeled even when new.

So instead, four headlines were picked from regional newspapers when Dorothy's closed, and I painted those instead. Only the headlines were used. I sure didn't want to paint every single word in the articles themselves! And the weather was starting now to drop into below freezing temperatures.

One idea had been to paint Dorothy's portrait on the left side. There are photos in the Windbag that some believe to be Dorothy. But after further research at the Montana Historical Society, a letter from 2006 was found, from Dorothy's niece to the Society, which denied those photos were of her aunt. The niece said Dorothy did not like photos of her and did not allow them to be taken. Only the one from her high school yearbook photo in the 1920s and her booking photo are of Dorothy.

So who is that other woman in the photos in the Windbag cases at the back of the room? It may very well be Dorothy's predecessor, Ida, of Ida's Rooms. Ida is the one who sold the business to Dorothy in the late 1950s (ca. 1956-57).

Painting the Mural: "Dorothy's Room"

A lot of people think that "Big Dorothy" operated her bordello in the Windbag. But it was really upstairs, above the Windbag, with the entrance in the rear at 19 1/2. A lot also apparently think, based in part on the Windbag's "Old West" graphics, that it was back in the 1800s that the place was a bordello. But the building, the St. Louis block, was built as a drygoods store back in 1882. And it wasn't until 1927 during the Prohibition that Ida ran her bordello called "Ida's Rooms" in the building. And it wasn't until the late 1950s that Dorothy bought the business and renamed it "Dorothy's Rooms," which was closed down in 1973.

My painting shows the infamous round red bed at Dorothy's, based on a photo from "Helena As She Was" (helenahistory.org). I simplified it, added the ashtray with burning cigarette, and tweaked the colors to be more lurid looking, inspired by Van Gogh's "The Night Café." He said: "I have tried to express the terrible passions of humanity by means of red and green. ...In my picture of the Night Café I have tried to express the idea that the café is a place where one can ruin oneself, go mad or commit a crime." Notice not only the burning cigarette (and everyone smoked in those days) but the marks on the bed like someone was just sitting or reclining there. It is called "Dorothy's Room" (singular) rather than Dorothy's Rooms. The houseplant is a dracaena marginata, or "dragon tree," not "palm trees" as some speculated, and was in the original photo. It is an interesting coincidence that this "dragon tree" thus links with the Dragon Wall!

Above is a replica-enlargement of a 1973 article in the Walla Walla, Washington newspaper on the closing of the establishment and the death of Dorothy soon after. It was printed out by Signs Now in downtown Helena and applied with adhesive. I decided to make the article very big, to look like a crime novel in a way, and although some might find the fact that the article has a missing section annoying, it also reminds us that we really never know the full story about anything.

Local TV News does story on the murals

Helena history murals 

on downtown walking mall

By Ryan Whalen 

For several months now, local artist Lance Foster 
has been using his spare time to put up a series 
of murals in the downtown walking mall.

Foster was selected by the city to do the project two years 
ago. It's now nearing completion. Foster is focusing on 
what he remembers of the area as a child – namely the 
Chinatown area of downtown Helena and Big Dorothy's 
rooms, a long-closed bordello.

He says it's his way of celebrating all parts of Helena 
history, even if they were fringe elements of society in 
their time.

"It's part of who we are and as it says on the mural of 
Dorothy, any town that doesn't recognize its colorful side 
is a boring town to live in,” says Foster.

The murals are painted on entranceways in an alley off 
of the walking mall. The door frames allowed Foster a little 
fun – you can have your picture taken as if you're on 
Dorothy's bed or in a Chinese take-out box.

Story by Ryan Whalen, Beartooth NBC. Copyright ©2011
Beartooth Communications Company. All Rights Reserved.

Painting the Mural: "Sometimes I Feel Like Chinese Takeout"

Start of Chinese Take-out Mural, painted the week of Sept. 16. Still to go: finishing the wire handle, the red characters on the carton, the title, and some touches of color here and there.

The wall completed. "Sometimes I feel like Chinese takeout" is a reference to this location being the hotspot for fantastic Chinese food for decades in Helena until Urban Renewal tore down the restaurants in the early 1970s. But also you can stand in the opening and -really- feel like you are Chinese takeout, and get your photo taken there to prove it!

Painting the Mural: Memory Wall

Behind the Dragon Wall, I painted the Memory Wall. I do not have the sequence on this one, as the photographer was away at that time and my camera was out of commission. It was begun Aug. 18 and completed Sept. 15. School began Aug. 29 and from then on I could only paint three mornings a week, so it took more time than otherwise it would have.

Helena once had a thriving Chinese community (aka Helena Chinatown) which reached from where the library is now, over to Reeder's Alley and up to the Chinese gardens at the split to Unionville and Grizzly Gulch. There were hundreds of Chinese that worked and lived here between 1865 through the 1890s, but they began to leave over the later decades until by the 1950s there were only a fraction of what there were previously. Abuse and racism took their toll. There had been Chinese physicians and herbalists, restaurants, stores, groceries, hotels, laundries, gaming houses. By the 1970s, there were pretty much only three descendant families left in Helena, to all accounts.

The completed Memory Wall. 
The art style is influenced by the Ashcan School of urban New York during the early 1900s and Muriel Wolle's paintings of the mining camps in Montana... I wanted it to be intimate, familiar, gritty, industrial. Wong See Q. was a leader in the Helena Chinese community.

List of historical sites in Helena with Chinese heritage.
These are the ones remembered by the descendant families still connected to Helena. There were once hundreds of Chinese and their businesses, most now lost to memory.

Helena in Chinese characters. 
Written Chinese is not alphabetic, each character represents an idea or word, but can also represent a syllable. Each of these three characters represents one of the three syllables in Helena, although it is pronounced differently in different Chinese languages, such as Cantonese (the Chinese language spoken by the great majority of Helena's Chinese population historically) and Mandarin (a northern language used as the common language by most in modern China).

Painting the Mural: Dragon Gate: Week 2

I continued painting the Dragon Gate during week 2.

Mon., Aug. 22: I began painting the large fields of color. Dark green for the head and the mountainscape (South Hills and Mount Helena). Pale green for the body and mane. Yellow-orange for the whiskers, claws, eyebrows, spine, and tail tuft on the dragon, and the Pearl of Wisdom/Sun. A longer day than usual, but felt good about getting the dragon's primary colors on. 5 hours.

Tues., Aug. 23: Used a sort of gray-purple-black to outline the head, eyes, teeth/mouth, talons, and the rest of the dragon. Really makes it "pop out" at last. Added another coat of reddish-brown to fill in some spaces and thin areas. 4 hours.

Now comes a critical point in painting, as in all paintings. Deciding when it is done. Not doing enough means it looks unfinished to viewers...and is incompletely realized and unsatisfactory to the artist. BUT...You can also go too far and add too much and ruin a painting that way too. So the next day or two, and I have to be careful. I know I want to add to the clouds (cream gold with pink scrolling), and also add scales on the dragon. The scales are tricky, with so many to do, and they need to look uniform.

Wed., Aug. 24: Today, the scales. Trying to paint so many uniformly-sized things has a lot of potential for things to go wrong. So I cut a guide out of an old plastic lid. It worked pretty well, although it was slow and took a long time. I added some green lines along the back and limbs which popped it out further. I added a creamy yellow-white over parts of the cool white areas which warmed up the clouds and picked out the teeth and eyes. 5 hours.

Thurs., Aug. 25: Finished the pearl/sun, talons/wrinkles, clouds, touch-up various places (drips, streaks). Picked up varnish from paint store. 4 hours.

Fri., Aug. 26: Signed and dated the mural. Final Clearcoat Sealant; applied two coats, with 2 hours drying time in between them. 5 hours, with 3 of those actual working hours, and 2 drying hours.

FINISHED with the Dragon Gate, mural #1 of the series! Next will be the Chinese Memory Wall, to be started next week.